Tuesday, 30 October 2012

Smithsonian Magazine

Smithsonian Magazine

At the time I was there, the theater was closed to most visitors (it is now open to the public from April 1 through October 31), and I wanted to take full advantage of my access. "Go ahead. Have a good, long look," said Christian Baulez, Versailles' chief conservator.
On the way out, Baulez, who has worked at the former royal palace for four decades, locked the gate with a heavy iron key. "From time to time, you have to visit a spot like the theater when there's no one else around to give the place a chance to trigger an emotional reaction," he said. "You're thinking about other things, then all of a sudden, you're totally surprised. It's a state of grace, an aura you sense—even after 40 years here."

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

Smithsonian Magazine

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